BrazilOnGuitar says: On the second LP there are heavily orchestrated
arrangements in the style of the fifties, as well as pieces with smaller combos, something he would later prefer for long periods.
Instead of jazz standards there are first solo pieces by BP, where his classical education can be heard. Compositions like
Fluido de Saudade reminds of Francisco Tarrega. In 1962 BP would record with big names of the jazz world:
Herbie Mann and Jimmy Pratt. We thank Robert G. (Germany) for his translation.