BrazilOnGuitar says: In December 1970 the 19 tracks of the threepart series were recorded within three days
in the Barclay studio. They are the best and final recordings of the quartet with its original members.
The focus here is on Afro-Brazilian music, though not as conceptually closed as on "Canto on Guitar".
There are Folklore and own compositions, as well as variations of "Pai" and "Filho". The almost ten minutes lasting
"Terra de Katmandou" is a mixture of many styles, citations and rhythms, creating a trancelike, meditative mood.
26 Jan 1972, p.34
27 Jan 1972, p.31
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